/LMAR=0/XLINE=20/FONT#0=MBIG[HHA,LCS]/FONT#1=BMETI[HHA,LCS]/FONT#3=BMUS[HHA,LCS]/FONT#5=MBIG[HHA,LCS]
␈↓ β⊂␈↓␈↓ !124␈↓ ∀0


␈↓"β␈↓ β⊂␈↓␈↓ ∧PThe␈α⊗difficulty␈α↔in␈α⊗analyzing␈α↔this␈α⊗last␈α↔half␈α⊗of␈α↔the␈α⊗development
␈↓ β⊂␈↓section␈α≠stems␈α≠mainly␈α≠from␈α≠the␈α~ambiguity␈α≠of␈α≠function␈α≠in␈α≠the␈α~long
␈↓ β⊂␈↓string␈α of␈α ascending␈α seventh␈α∨chords.␈α  Even␈α though␈α a␈α∨satisfactory
␈↓ β⊂␈↓analysis␈α≤of␈α≤the␈α≤tonal␈α≤bases␈α≥can␈α≤be␈α≤worked␈α≤out␈α≤here,␈α≤it␈α≥is␈α≤obvious
␈↓ β⊂␈↓that␈α≡our␈α≡comprehension␈α≡of␈α≡such␈α≡passages␈α≡depends␈α≡greatly␈α≡on␈α≡the
␈↓ β⊂␈↓much␈α↔less␈α↔problematical␈α↔element␈α↔of␈α↔motivic␈α↔continuity.␈α↔ It␈α_will␈α↔be
␈↓ β⊂␈↓seen␈α'later␈α'how␈α(the␈α'functional␈α'ambiguity␈α'of␈α(late␈α'19th-century
␈↓ β⊂␈↓music␈α$led␈α$to␈α$a␈α$situation␈α#wherein␈α$the␈α$motivic␈α$or,␈α$more␈α#broadly
␈↓ β⊂␈↓speaking,␈α?␈α$contextual␈α?␈α%element␈α?␈α$took␈α?␈α$over␈α?␈α%the␈α?␈α$primary
␈↓ β⊂␈↓organizational role from tonal harmony.

␈↓"β␈↓ β⊂␈↓␈↓ ∧PThe␈α≡recapitulation␈α≥of␈α≡this␈α≥Mozart␈α≡movement␈α≥offers␈α≡no␈α≥new
␈↓ β⊂␈↓complications.  The few new tonics can easily be identified.

␈↓"β␈↓ β⊂␈↓␈↓ ∧PIt␈α≠will␈α≠be␈α≠noticed␈α≠that␈α≠most␈α≠of␈α≠the␈α≠work␈α≠on␈α≠the␈α≠role␈α≤of␈α≠the
␈↓ β⊂␈↓piece's␈α≡more␈α≡complex␈α≡chromaticism␈α≡has␈α≡been␈α≡assumed␈α≡during␈α≡the
␈↓ β⊂␈↓preceding␈α discussion.␈α  This␈α!can␈α hardly␈α be␈α otherwise,␈α!even␈α when
␈↓ β⊂␈↓approaching␈α1a␈α2work␈α1from␈α1the␈α2largest␈α1view␈α1first.␈α2 The␈α1more
␈↓ β⊂␈↓complicated␈α≤the␈α≠details␈α≤are,␈α≠the␈α≤more␈α≠difficult␈α≤it␈α≤usually␈α≠becomes
␈↓ β⊂␈↓to␈α∨form␈α≡an␈α∨immediate␈α∨view␈α≡of␈α∨the␈α≡larger␈α∨tonal␈α∨movements.␈α≡ The
␈↓ β⊂␈↓same␈α⊗will␈α⊗often␈α⊗prove␈α⊗true␈α∃concerning␈α⊗the␈α⊗other␈α⊗of␈α⊗the␈α⊗first␈α∃three
␈↓ β⊂␈↓analytical␈α&procedures␈α&outlined␈α'in␈α&Chapter␈α&VIII.␈α' What␈α&questions
␈↓ β⊂␈↓that␈α&may␈α&be␈α&left␈α&in␈α'this␈α&area␈α&will␈α&probably␈α&be␈α&covered␈α'in␈α&the
␈↓ β⊂␈↓discussion which follows the complete analysis of the movement.
␈↓"β
␈↓"β␈↓ β⊂␈↓Figure 94.  Mozart, Sonata in F, K.533, 
␈↓"β␈↓ β⊂␈↓                        second movement (Andante).
␈↓"β␈↓ β⊂␈↓␈↓ ¬∨␈↓¬⊂⊗⊃L[%0.04,%-3.10](17,22):N94FA.PLT[C9,LCS]⊂⊗⊃␈↓